The process was highly experimental and hands-on. It began with sourcing materials in person, carefully selecting objects and textures that would evoke the sensual, heated concept. I then tested different analogue techniques for the cover, including writing with burnt matches and wax, photographing physical textures, and experimenting with other tactile materials. After capturing the images, I edited the photographs and carefully laid out dense text, figuring out how to fit the lyrics into the album’s size while keeping everything readable, legible, and clean without losing the intensity of the design.